Here, though, the sparse descriptions of the site seem to be almost an afterthought. In Davis’ previous novels, the setting plays an integral role in the storyline. Notably absent from the cast list, though, is the Chelsea Hotel itself. Thankfully, Hazel’s relationships-with everyone from her mother to a private investigator working in tandem with the FBI-are more engaging and complex. Even revelations that should shock evoke a tepid response, probably because the buildup has been so noncompelling. Maxine’s diary confessionals fail to give any insight into her inner life and seem only to serve as information downloads. With a high-stakes storyline that should be tension-filled, the novel unfortunately features prose that is expository and flat. Their drama unfolds offstage when both women are named on a list of Communist sympathizers and must testify about suspected anti-American activities.

Her career is off to a promising start, especially since bestie Maxine has agreed to use her star power as a box office draw for Hazel’s show. While Hazel has never enjoyed success onstage, she discovers a talent for playwriting and directing. Now readers are taken behind the doors of the storied Chelsea Hotel, a creative oasis for artists and freethinkers, as Hazel and Maxine try to navigate the Broadway theater scene. Now that they’ve been home for five years, can their friendship survive the McCarthy-era witch hunt for Communists in show business?ĭavis ( The Masterpiece, 2018, etc.) has built her brand crafting historical fiction set at New York landmarks like the Barbizon Hotel, the Dakota apartment building, and Grand Central Terminal. Perennial Broadway understudy Hazel Ripley and center-stage bombshell Maxine Mead formed a close bond as performers touring with the USO during World War ll.

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